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Dante's Peak
Synopsis
Old Smokey develops a bad temper in this volcanic disaster spectacle. Harry Dalton (Pierce Brosnan) is a volcano expert whose interest became more than academic after he lost the woman he loved in a volcanic emergency. When he is sent to investigate unusual seismic activity in the quiet Pacific Northwest community of Dante's Peak, he discovers people boiled to death in the local hot spring and plant and animal life dying or displaying unusual illnesses near the city's supposedly dormant volcano. Harry becomes convinced that a major volcanic catastrophe is in the cards. Rachel Wando (Linda Hamilton), the town's mayor, is a single mother who also runs the local cafe, and now that Dante's Peak has been named one of the most desirable small towns in America, tourists have been flocking to the diner and other local businesses. While concerned with the safety of her community, Rachel takes a cynical view of Harry's warnings about the volcano; she has no desire to alarm either the town's residents or the wealthy visitors lining the city's pockets. Nevertheless, Harry tries to convince Rachel of the potential danger, as they begin to develop feelings for each other that are not strictly professional. The summer of 1997 was a big season for killer volcanoes at the movies, as Dante's Peak and Volcano opened within a few months of each other.~ Mark Deming, All Movie Guide
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Full Credits
  • Director:
    Roger Donaldson,
  • Writer:
    Leslie Bohem,
  • Producer:
    Joseph Singer, Gale Anne Hurd, Joseph Singer,
  • Cinematographer:
    Andrzej Bartkowiak,
  • Editor:
    Howard E Smith, Tina Hirsch, Conrad Buff IV,
  • Executive Producer:
    Ilona Herzberg,
  • Cast:
    Linda Hamilton, Jamie Renée Smith, Pierce Brosnan, Elizabeth Hoffman, Jeremy Foley, Arabella Field,
  • Associate Producer:
    Geoff Murphy,
  • Assistant Editor:
    Ralph O. Sepulveda Jr.,
  • First Assistant Director:
    David Sardi,
  • Second Assistant Director:
    Maggie Murphy,
  • Second Second Assistant Director:
    L. David Silva,
  • Co-Producer:
    Marliese Schneider,
  • Supervising Sound Editor:
    Richard L. Anderson,
  • Camera Operator:
    Randy Feemster,
  • Script Supervisor:
    Judi Townsend,
  • ADR Mixer:
    Thomas J. O'Connell,
  • Art Department Coordinator:
    Dominique Arcadio,
  • Assistant Production Coordinator:
    Candice D. Campos,
  • Boom Operator:
    Anna R. Delanzo,
  • Construction Coordinator:
    Dave Brown,
  • Location Manager:
    Gregor Huebner,
  • Production Coordinator:
    Cameron Stevning,
  • Property Master:
    John Zemansky,
  • Sound Effects Editor:
    Ezra Dweck,
  • Stunts:
    James M. Halty, J.N. Roberts, Laura Dash, Earl Wiggins, James Pratt, Mark Kogina, Erik Rondell, Troy Robinson, Dianne L. Wilson, Troy Gilbert, Larry Nicholas, Dustin Meier, Art Hickman, Susan Purkhiser, Kenny Endoso, Tommy J. Huff, Henry Kingi Jr., John T. Cypert, Kelley Kalafatich, May Boss, Jamie Bunch Elliott, Terri Cadiente, Thirl Haston, Lauro Chartrand, Debby Porter, Richard M. Ellis, Perry Barndt, Janet Brady, Henry Kingi, Annie Ellis, Johnny Martin, Loyd Catlett, Melissa R. Stubbs, Doug Snively, Jimmy Nickerson, Gene LeBell, Tom Elliott, Steve Holladay, Mike H. McGaughy, Marguerite Happy, Ron Stein, Chad Randall, Marla Casey, Paul Crawford, Steven Chambers, Chrisie Paola, Jack Gill, Michael T. Brady, Michael Endoso, Eliza Coleman, Larry Rippenkroeger, David Barrett, Christian J. Fletcher, Scott Duthie, Richie Gaona, Eddie Hice, Debbie Lynn Ross, Jimmy N. Roberts, Andree Gibbs, Phil Chong, Ian Quinn, John Meier, William H. Burton Jr.,
  • Assistant Chief Lighting Technician:
    Frank Mathews,
  • Studio Teachers:
    Judith Jennings,
  • Propmaker:
    Steven Fuller,
  • Key Grip:
    Dick Deats,
  • Craft Service:
    Michael D. Starks,
  • Foley Artist:
    John T. Cucci,
  • Grip:
    Jim Brusseau,
  • Makeup Effects:
    Glen P. Griffin,
  • Extras Casting Assistant:
    Leah Pracher,
  • Greensman:
    Pasquale Consiglio,
  • Technical Supervisor:
    Josh Kirschenbaum,
  • Makeup Department Head:
    Kenny Myers,
  • Digital Compositors:
    Suzanne Mitus-Uribe,
  • Picture Car Coordinator:
    John Feinblatt,
  • Video Assist Operator:
    Stan Harrison,
  • Production Secretary:
    Deven Fredericks,
  • Stunt Coordinator:
    Jeff Imada, Michael Runyard, Troy Brown, R. A. Rondell, Thomas Robinson Harper,
  • Costume Design:
    Isis Mussenden,
  • Set Decoration:
    Marvin March,
  • Painter:
    Gary DeBortoli,
  • Projection:
    Billy R. Brashier,
  • ADR Recordist:
    Rick Canelli,
  • Unit Production Manager:
    Marie Cantin,
  • Conductor:
    Artie Kane,
  • Visual Effects Editor:
    David Bartholomew,
  • Lighting Technician:
    Billy Gunn,
  • Payroll Accountant:
    Debi West,
  • Utility Stunts:
    Michael Munoz,
  • Production Assistant:
    Chris Anderson,
  • Transportation Coordinator:
    David Marder,
  • Foley Recordist:
    Linda Lew,
  • Security:
    Dean Biggs,
  • Stand In:
    Cindy Deerheim,
  • Visual Effects Supervisor:
    Ken Jones,
  • Production Controller:
    Kieran Woo,
  • Original Music Composer:
    John Frizzell, James Newton Howard,
  • Casting Assistant:
    Rachel Davies,
  • Color Timer:
    Dennis McNeill,
  • Special Effects Coordinator:
    Roy Arbogast,
  • Supervising ADR Editor:
    Andrew Patterson,
  • Transportation Captain:
    Marlo Hellerstein,
  • Machinist:
    Scott Salsa,
  • Key Hair Stylist:
    Charlene Johnson,
  • Visual Effects Compositor:
    Kelly Granite,
  • Key Rigging Grip:
    Dhamarata Dhiensuwana,
  • Second Unit:
    Geoff Murphy,
  • First Assistant Editor:
    David Crowther,
  • Screenplay:
    Leslie Bohem,
  • Special Effects:
    Michael Wood,
  • Sound Assistant:
    Nancy Barker,
  • Title Designer:
    Anthony Goldschmidt,
  • Rotoscoping Artist:
    Michael J. Frick,
  • Key Set Costumer:
    Larry Velasco,
  • Visual Effects Production Manager:
    James Ferguson,
  • Visual Effects Camera:
    Kurt E. Soderling,
  • Storyboard Artist:
    Ronald D. Herbst,
  • Assistant Camera:
    Jody Miller,
  • Dialogue Editor:
    Mike Chock,
  • Art Department Production Assistant:
    Kristin Klier,
  • Production Accountant:
    Audrey Ritterman-Estes,
  • Still Photographer:
    Ben Glass,
  • Generator Operator:
    Bobby Masoner,
  • Hairstylist:
    Karen Asano-Myers,
  • Sound Mixer:
    David MacMillan,
  • Set Dressing Artist:
    Kevin Chambers,
  • Special Effects Technician:
    Robert W. Aliotta,
  • Stunt Double:
    Terri Cadiente,
  • Color Grading:
    Jeffrey Kalmus,
  • Controller:
    Yvette Macaluso,
  • Second Assistant Accountant:
    M.K. Shaw,
  • VFX Artist:
    Craig Andujar,
  • Editorial Production Assistant:
    Scott A. Lopez,
  • Art Direction:
    Thomas T. Taylor, Francis J. Pezza,
  • Location Assistant:
    John Hays,
  • Script Coordinator:
    Christopher G. Cowen,
  • Music Editor:
    Katherine Quittner,
  • Aerial Camera:
    Allen Baker,
  • Best Boy Grip:
    Jerry C. Deats,
  • Key Set Production Assistant:
    Christian Clarke,
  • Production Design:
    J. Dennis Washington,
  • Storyboard:
    Timothy Braniff,
  • Standby Painter:
    Robert Papegaay,
  • Rigging Gaffer:
    Blaise Dahlquist,
  • Costume Supervisor:
    Alexandria Forster,
  • Best Boy Electric:
    Anthony Huljev,
  • Scoring Mixer:
    Dennis S. Sands,
  • Casting:
    Allison Cowitt, Mike Fenton,
  • Set Designer:
    Louisa Bonnie,
  • Gaffer:
    Curtis Bradford,
  • Electrician:
    Joseph Emanuele,
  • Production Illustrator:
    Robert Branham,
  • First Assistant Accountant:
    Kelli Gillam,
  • Digital Effects Producer:
    Bernice Howes,
  • Orchestrator:
    Jeff Atmajian,
  • Assistant Location Manager:
    Allison Gross,
  • Makeup Artist:
    Bron Roylance,
  • Set Production Assistant:
    Tammy R. Dickson,
  • Production Manager:
    David Sanger,
  • Visual Effects Producer:
    Lori J. Nelson,
  • Aerial Coordinator:
    Cliff Fleming,
  • Post Production Supervisor:
    Doreen A. Dixon,
  • Camera Loader:
    Yusef Edmonds,
  • Extras Casting:
    Tammy L. Smith,
  • Steadicam Operator:
    Gregory Lundsgaard,
  • Negative Cutter:
    Gary Burritt,
  • Sound Designer:
    Michael Geisler,
  • Production Supervisor:
    Kris Nielsen,
  • ADR Editor:
    Solange S. Schwalbe,
  • Carpenter:
    Larry Morgan,
  • Driver:
    Chris Anderson,
  • Project Manager:
    Stephen Sobisky,
  • General Manager:
    Scott Ross,
  • Special Effects Supervisor:
    Dean W. Miller,
  • Foley Mixer:
    James Ashwill,
  • ADR Voice Casting:
    Barbara Harris,
  • Unit Publicist:
    Peter Haas,
  • Matte Painter:
    Shannan Burkley,
  • Leadman:
    Daril Alder,
  • Music Arranger:
    Margo Timmins,
  • Set Dressing Buyer:
    Caroline Perzan,
  • Sound Recordist:
    Peter Gregory,
  • Transportation Co-Captain:
    Richard Austin,
  • Travel Coordinator:
    Laura Stuart,
  • Assistant Property Master:
    Erik Grasteit,
  • Assistant Art Director:
    Ann Harris,
  • Set Costumer:
    Larry Velasco,
  • Seamstress:
    Judith H. McGiveney,
  • Dolly Grip:
    Chuck Brown,
  • Second Assistant Camera:
    Selvyn Price,
  • Set Medic:
    Louis Farah,
  • Visual Effects Assistant Editor:
    Aaron Valdez,
  • Assistant Accountant:
    Keith Cotton,

Technical specifications

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