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Children of a Lesser God
Synopsis
Children of a Lesser God is a love story about a speech teacher who falls for a beautiful yet distant deaf girl in a small New England school for the deaf, and the obstacles that they face due to their differences. William Hurt plays James Leeds, a renegade teacher with an unconventional approach to education and a resume that includes stints as a bartender and a disk jockey. Upon his arrival, he is warned by school administrator Dr. Franklin (Philip Bosco) not to get creative with his instruction. Naturally, Leeds already has his mind set on his teaching plan and proceeds to play loud rock music in class in order to teach the students to feel the vibrations of the music and get them to try to speak phonetically. But a new element enters his life when he meets the attractive custodian, Sarah (Marlee Matlin). An exceptionally intelligent yet extremely bitter young woman, Sarah is a graduate of the school who has decided to remain there, in the confines of her world of silence; it's safer for her to be with her own people than to face what she perceives as a cruel and uncaring world. She hardly seems interested in James and will only communicate with him through signing, although she can read lips and even speak a little. James learns from Sarah's mother (Piper Laurie) that Sarah was sexually molested as a teenager; this explains why she is so wary of his attempts to form a relationship with her and why she is so full of fear. Eventually, James does get through to Sarah and the two fall in love, although both have to learn new ways to communicate their feelings. Though it seldom resembles the Mark Medoff play on which it was based, this directing debut from Randa Haines won an Best Actress Oscar for Matlin, for her first screen performance.~ Don Kaye, All Movie Guide
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Full Credits
  • Director:
  • Writer:
    Mark Medoff,
  • Producer:
    Burt Sugarman, Patrick J. Palmer, Burt Sugarman,
  • Cinematographer:
    John Seale,
  • Editor:
  • Cast:
    Philip Bosco, Marlee Matlin, William Hurt, Allison Gompf, Piper Laurie,
  • Associate Producer:
    Candace Koethe,
  • First Assistant Director:
    Jim Kaufman,
  • Second Assistant Director:
    Kim H. Winther,
  • Supervising Sound Editor:
    Robert Grieve,
  • Script Supervisor:
    Susanna David,
  • Location Manager:
    Michael Jewison,
  • Production Coordinator:
    Valley Via Reseigne,
  • Production Sound Mixer:
    Richard Lightstone,
  • Property Master:
    J. Tracy Budd,
  • Sound Editor:
    Dennis Drummond, Patrick Drummond, Dody Dorn,
  • Foley Editor:
    Linda Whittlesey,
  • Original Music Composer:
    Michael Convertino,
  • Assistant Set Decoration:
    Mark S. Freeborn,
  • Casting Assistant:
    Ruth Lambert,
  • Key Grip:
    Randy Tambling,
  • Dolly Grip:
    Robert Daprato,
  • Sound Re-Recording Mixer:
    Elliot Tyson, Robert J. Litt, Steve Maslow,
  • Unit Production Manager:
    Stéphane Reichel,
  • Theatre Play:
    Mark Medoff,
  • Makeup Artist:
    Ann Brodie,
  • Screenplay:
    Hesper Anderson, Mark Medoff,
  • Color Timer:
    Ron Lambert,
  • Supervising Music Editor:
    Else Blangsted,
  • Second Unit Director:
    Patrick J. Palmer,
  • Set Decoration:
    Rose Marie McSherry,
  • Costumer:
    Arthur Rowsell, Fabienne April,
  • Technical Advisor:
    Richard Kendall,
  • Costume Design:
    Renée April,
  • Assistant Property Master:
    Daniel R. Bradette,
  • Production Design:
    Gene Callahan,
  • Hairstylist:
    Paul LeBlanc,
  • Still Photographer:
    Takashi Seida,
  • Grip:
    Ron Renzetti,
  • Casting:
    Gretchen Rennell,
  • ADR Editor:
    George Berndt,
  • Special Effects Coordinator:
    David Neil Trifunovich,
  • Unit Publicist:
    Stanley Brossette,
  • Choreographer:
    Dan Siretta,
  • Production Accountant:
    Leanne Moore,
  • Art Direction:
    Barbra Matis,

Technical specifications

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