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Brooklyn's Finest
Synopsis
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
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Full Credits
  • Director:
    Antoine Fuqua,
  • Writer:
    Michael C. Martin,
  • Producer:
    John Langley, John Thompson, Elie Cohn, Basil Iwanyk, John Thompson, Jeanne O'Brien-Ebiri, Joe Napolitano, Kat Samick, John Langley, Elie Cohn,
  • Cinematographer:
    Patrick Murguia,
  • Editor:
    Barbara Tulliver,
  • Executive Producer:
    Jesse Kennedy, Robert Greenhut, Marco Weber, Danny Dimbort, Trevor Short, Avi Lerner, Boaz Davidson, Mary Viola, Antoine Fuqua,
  • Cast:
    Don Cheadle, Vincent D'Onofrio, Wesley Snipes, Richard Gere, Ethan Hawke,
  • First Assistant Director:
    Joe Napolitano,
  • Second Assistant Director:
    Peter Soldo,
  • Second Second Assistant Director:
    Angela Jensen,
  • Supervising Sound Editor:
    Maurice Schell,
  • Camera Operator:
    Patrick Murguia, Mike O'Shea Jr.,
  • Script Supervisor:
    Ed Duranté, Deirdre Horgan,
  • ADR Mixer:
    David Boulton,
  • Art Department Coordinator:
    Lauren Buckley,
  • Boom Operator:
    Alfredo Viteri,
  • Colorist:
    Sean Dunckley, Ryan Bennett, Stefan Sonnenfeld,
  • Construction Coordinator:
    Richard Hebrank,
  • Construction Foreman:
    Peter Bundrick,
  • Location Manager:
    Nicholas Bernstein,
  • Production Coordinator:
    Peter Sabat,
  • Property Master:
    Michael Saccio,
  • Set Dresser:
    Bear Davies, Eddie DeCurtis, Michael Leather, Frank DeCurtis, John Saracco,
  • Sound Editor:
    Gerald Donlan,
  • Sound Effects Editor:
    Mariusz Glabinski, Richard King,
  • Music Editor:
    Nancy Allen, Eric J. Paul, Jennifer Dunnington, John M. Davis, Dan Evans Farkas,
  • Second Assistant 'A' Camera:
    Jason Brignola,
  • Pilot:
    Al Cerullo,
  • Set Production Assistant:
    Ja'nae Burgess, Jon Shaw, Steve Jean-Baptiste, Garrette Henson, Lisa Falzarano, Cynthia Bauer, Theron Alford,
  • Generator Operator:
    Raymond Fortune,
  • Production Secretary:
    Kenneth Daniels, Scott 'Hitman' Sims, Cle Sloan, Kirstin Liu,
  • Makeup Department Head:
    Matiki Anoff,
  • Hairstylist:
    Lyndell Quiyou,
  • Casting:
    Mary Vernieu, Suzanne Smith,
  • Sound Designer:
    Maurice Schell,
  • Production Design:
    Thérèse DePrez,
  • Armorer:
    Ryder Washburn,
  • Sound Recordist:
    Bret Johnson,
  • Costume Design:
    Juliet Polcsa,
  • Assistant Costume Designer:
    Lauren Press, Lorraine Z. Calvert,
  • Grip:
    Kevin Gilligan, Rocco Proscia, Kevin Califano, Ernest Yurich,
  • Key Grip:
    George Patsos,
  • First Assistant Sound Editor:
    Eric McAllister, Igor Nikolic,
  • Key Makeup Artist:
    Sunday Englis,
  • Foley Mixer:
    Ryan Collison,
  • Foley Supervisor:
    John Werner,
  • Scenic Artist:
    Patricia Sprott, Alan J. Lawson, Phillip Schneider,
  • Best Boy Grip:
    Gus Magalios,
  • First Assistant 'A' Camera:
    Bobby Mancuso,
  • Graphic Designer:
    Derrick Kardos,
  • Costumer:
    Tommy Boyer,
  • Associate Editor:
    John Scott Cook,
  • Foley Artist:
    Jay Peck,
  • Key Hair Stylist:
    Carmen S. Riviera,
  • Set Costumer:
    Debbe DuPerrieu, Shawnique Hill, Aissatou Parks,
  • Rigging Gaffer:
    Thomas Dolan,
  • Dialogue Editor:
    Laura Civiello,
  • Production Accountant:
    Kathi Scharer,
  • Stunt Coordinator:
    John Cenatiempo,
  • Makeup Artist:
    LuAnn Claps,
  • Contact Lens Technician:
    Erica Kissack,
  • Foley Editor:
    Matthew Haasch,
  • Hair Department Head:
    Nathan J. Busch II,
  • Digital Intermediate:
    Rob Cadzow,
  • Best Boy Electric:
    Brian McClean,
  • Set Decoration:
    Mila Khalevich,
  • ADR Recordist:
    Brian Gallagher,
  • Electrician:
    Kenneth Potter, Jim McCullough Jr.,
  • First Assistant Editor:
    Yale Kozinski,
  • Stunts:
    Aaron Vexler,
  • Sound Mixer:
    Joe White,
  • Digital Intermediate Producer:
    Devin Sterling,
  • Art Direction:
    Peter Baran,
  • Camera Loader:
    Kevin Kasarda,
  • Production Supervisor:
    Roderick Alleyne,
  • Tattooist:
    Kentaro Yano,
  • Editorial Production Assistant:
    Luke Ciarrocchi,
  • Music Coordinator:
    Selena Arizanovic,
  • Still Photographer:
    Phillip V. Caruso,
  • Lighting Technician:
    James J. McCullagh,
  • Production Controller:
    Alan J. Lam,
  • Visual Effects Producer:
    Richard Friedlander, Glenn Allen,
  • Dolly Grip:
    Louis Sabat, Mike Yurich,
  • Production Assistant:
    Ahsaan Mitchell,
  • Casting Associate:
    Jessica Kelly, Lindsay Graham,
  • Visual Effects Supervisor:
    Justin Ball,
  • Original Music Composer:
    Marcelo Zarvos,
  • Construction Grip:
    John Galuppo,
  • First Assistant 'B' Camera:
    Scott Tinsley,
  • Music Supervisor:
    John Houlihan,
  • Costume Coordinator:
    Alex Bovaird,
  • Gaffer:
    Jay Fortune,
  • Rigging Grip:
    Ralph Rea,
  • Wardrobe Supervisor:
    Barrett Hong,
  • Steadicam Operator:
    Mike O'Shea Jr.,
  • Art Department Production Assistant:
    Hunter Popalis,
  • Title Designer:
    Andy Goldman,
  • Second Assistant 'B' Camera:
    Adam Johnson, Julian J. Delacruz,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Police Consultant:
    Tom Antonetti, Paul Lozada, Jerry Speziale, Tom Murray, Joseph Bannon,
  • Leadman:
    Peter DeCurtis,
  • Utility Sound:
    Joshua Anderson,
  • ADR Editor:
    Ruth Hernandez,
  • Special Effects Coordinator:
    Connie Brink,
  • Key Rigging Grip:
    Billy Patsos,
  • Digital Intermediate Editor:
    Nicholas Hasson,

Technical specifications

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