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Bringing Out the Dead
Synopsis
Nicolas Cage plays EMS paramedic Frank Pierce. It is the early 1990's and New York has not yet undergone its renaissance of recent years. Surrounded by the injured and the dying, Frank is dwelling in an urban night-world, crumbling under the accumulated weight of too many years of saving and losing lives. The film follows Frank over the course of fifty-six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption.
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Full Credits
  • Director:
    Martin Scorsese,
  • Writer:
    Joseph Connelly, Paul Schrader,
  • Producer:
    Barbara De Fina, Scott Rudin,
  • Cinematographer:
    Robert Richardson,
  • Editor:
    Thelma Schoonmaker,
  • Executive Producer:
    Adam Schroeder, Bruce S. Pustin,
  • Cast:
    Patricia Arquette, Nicolas Cage, Ving Rhames, Tom Sizemore, John Goodman, Mary Beth Hurt,
  • Associate Producer:
    Jeff Levine, Mark Roybal,
  • First Assistant Director:
    Joseph P. Reidy,
  • Second Assistant Director:
    Christopher Surgent,
  • Second Second Assistant Director:
    Greg Hale,
  • Co-Producer:
    Joseph P. Reidy, Eric Steel,
  • Story Editor:
    Narges Takesh,
  • Supervising Sound Editor:
    Philip Stockton,
  • Camera Operator:
    Vincent Galindez,
  • Script Supervisor:
    Martha Pinson,
  • Assistant Production Coordinator:
    Karen Koula Sossiadis,
  • Boom Operator:
    Louis Sabat,
  • Construction Coordinator:
    Glen Pangione,
  • First Assistant Camera:
    Gregor Tavenner,
  • Location Manager:
    Len Murach,
  • Property Master:
    James Mazzola,
  • Set Dresser:
    Dennis Causey,
  • Effects Supervisor:
    Janos Pilenyi,
  • Sound Effects Designer:
    Eugene Gearty,
  • ADR Recordist:
    Alex Raspa,
  • Special Effects Coordinator:
    John Ottesen,
  • Stand In:
    Marco Kyris,
  • Assistant Sound Editor:
    Kate Eales,
  • Costume Design:
    Rita Ryack,
  • Production Supervisor:
    Shell Hecht,
  • Best Boy Electric:
    Doug Dalisera,
  • Foley Supervisor:
    Will Ralston,
  • Second Assistant Accountant:
    Kellyann Wargo,
  • Casting:
    Ellen Lewis,
  • Still Photographer:
    Phillip V. Caruso,
  • Stunt Coordinator:
    G. A. Aguilar,
  • Conductor:
    Elmer Bernstein,
  • Visual Effects Editor:
    John Bartle,
  • Stunt Driver:
    Jalil Jay Lynch, Conrad E. Palmisano,
  • Original Music Composer:
    Elmer Bernstein,
  • Music Editor:
    Bobby Mackston,
  • Production Secretary:
    Reid Warman,
  • Hairstylist:
    Scott W. Farley, Joseph Coscia,
  • Electrician:
    John Billeci,
  • Steadicam Operator:
    Larry McConkey,
  • Stunts:
    Blaise Corrigan, Chris Cenatiempo, Peter Epstein,
  • Consulting Editor:
    James Y. Kwei,
  • Key Construction Grip:
    Thomas Yacuk,
  • Dolly Grip:
    Patrick McGrath,
  • Wigmaker:
    Carol F. Doran,
  • Additional Visual Effects:
    Nick Seuser,
  • Best Boy Grip:
    Glen Engels,
  • Digital Compositor:
    Eric Person,
  • Gaffer:
    Russell Engels,
  • Post Production Supervisor:
    Kendall McCarthy,
  • Sound Re-Recording Mixer:
    Tom Fleischman,
  • Production Design:
    Dante Ferretti,
  • Generator Operator:
    Ronald Paul,
  • Novel:
    Joe Connelly,
  • Key Costumer:
    Kevin Ritter,
  • Assistant Property Master:
    James Bono,
  • Set Decoration:
    William F. Reynolds,
  • Publicist:
    Marion Billings,
  • ADR Voice Casting:
    Bruce Winant,
  • Foley Artist:
    Marko Costanzo,
  • ADR Editor:
    Marissa Littlefield,
  • Dialogue Editor:
    Laura Civiello, Fred Rosenberg,
  • Camera Loader:
    Denise Schwab,
  • Orchestrator:
    Emilie A. Bernstein,
  • Visual Effects Producer:
    Jill Brooks,
  • Technical Advisor:
    Joe Connelly, Susan Callahan,
  • Assistant Location Manager:
    James D. Lee,
  • ADR Recording Engineer:
    David Boulton,
  • Color Timer:
    Bob Kaiser,
  • Transportation Captain:
    Timothy Shannon,
  • Visual Effects Production Assistant:
    Erin Collins Butler,
  • Casting Associate:
    Gayle Keller,
  • Assistant Camera:
    Tracey Gudwin,
  • Unit Publicist:
    Eric Myers,
  • Set Medic:
    Rich Fellegara,
  • Location Assistant:
    Damon Michael Gordon,
  • Production Assistant:
    Erica Bamforth,
  • Rigging Gaffer:
    Ken Connors,
  • Storyboard Artist:
    John Davis,
  • Production Intern:
    Will Sweeney,
  • First Assistant Editor:
    Scott Brock,
  • First Assistant Accountant:
    Theresa Marsh,
  • Carpenter:
    James Cappello,
  • Key Hair Stylist:
    William A. Farley,
  • Compositing Supervisor:
    Jon Alexander,
  • Key Rigging Grip:
    Billy Kerwick,
  • Art Direction:
    Robert Guerra,
  • Second Assistant Camera:
    Jeanne Vienne,
  • Key Makeup Artist:
    Linda Grimes,
  • Screenplay:
    Paul Schrader,
  • Payroll Accountant:
    Penni Smith,
  • Transportation Co-Captain:
    Joseph Buonocore,
  • Sound Mixer:
    James Sabat,
  • Wardrobe Supervisor:
    Joanna Brett,
  • Makeup Artist:
    Jane DiPersio, Leon Weisinger,
  • Unit Production Manager:
    Bruce S. Pustin,
  • Driver:
    Carlos Bernal,
  • Construction Grip:
    Jay Halligan,
  • Visual Effects Supervisor:
    Michael Owens,
  • Apprentice Sound Editor:
    Debora Lilavois,
  • Extras Casting Assistant:
    Lee Genick,
  • Intern:
    Rueven Halevi,
  • Visual Effects Coordinator:
    Susan Greenhow,
  • Additional Grip:
    Will Arnot,
  • Supervising ADR Editor:
    Becky Sullivan,
  • Foley Editor:
    Benjamin Cheah,
  • Chef:
    P.J. Haines,
  • Grip:
    Howard Davidson,
  • Key Grip:
    Richard Guinness Jr.,
  • Foley Recordist:
    George A. Lara,
  • Production Office Assistant:
    Ashlee Burnette,

Technical specifications

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