Bring Me the Head of Mavis Davis thumbnail
Bring Me the Head of Mavis Davis
Synopsis
Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.
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Full Credits
  • Director:
    John Henderson,
  • Producer:
    Stephen Colegrave, Joanne Reay,
  • Cinematographer:
    Clive Tickner,
  • Editor:
    Paul Endacott,
  • Executive Producer:
    John Quested, David M. Thompson, Guy Collins,
  • Cast:
    Rik Mayall, Danny Aiello, Nick Bartlett, Philip Martin Brown, Heathcote Williams,
  • First Assistant Director:
    Carrie Rodd,
  • Second Assistant Director:
    Catrin Strong,
  • Third Assistant Director:
    Mark Vella,
  • Co-Producer:
    Michael Dreyer,
  • Line Producer:
    Peter Jaques,
  • Camera Operator:
    Jeremy Gee,
  • Script Supervisor:
    Vicky Harrison,
  • ADR Mixer:
    Mike Prestwood Smith,
  • Location Manager:
    Crispin Buxton,
  • Production Coordinator:
    Emma Pike,
  • Property Master:
    Maurice Jones,
  • Dressing Prop:
    Tony Ferguson, Jim Parker,
  • Camera Trainee:
    Stuart Chapman,
  • Best Boy Electric:
    Jan Turner,
  • Sound Designer:
    Tim Lewiston,
  • Standby Rigger:
    John Lansbury,
  • Focus Puller:
    Dean Thompson, Jonathan Sykes,
  • Construction Manager:
    Hank Schumacher,
  • Clapper Loader:
    Chris Bain,
  • Standby Painter:
    Guy Rutter,
  • Sound Re-Recording Mixer:
    Robert Carr, Robert Farr,
  • Standby Property Master:
    Peter Risi, Gino Risi,
  • Unit Manager:
    Mitch Davies,
  • First Assistant Editor:
    Jamie Pearson,
  • Screenplay:
    Craig Strachan ,
  • Costume Supervisor:
    Charlotte Couchman,
  • Foley Mixer:
    Andy Thompson,
  • Stunts:
    Ellie Bertram, Helen Caldwell, Tom Lucy, Crispin Layfield,
  • Special Effects:
    Graham Brown, Mark Holt, Colin Tilly,
  • Stunt Coordinator:
    Peter Brayham,
  • Gaffer:
    Micky Hand,
  • Assistant Sound Editor:
    Ben Barker, Vicky Brazier,
  • Hairdresser:
    Pebbles,
  • Art Department Assistant:
    Jonni Fitzgerald,
  • Digital Effects Producer:
    Drew Jones,
  • Standby Carpenter:
    Josh Jones,
  • Production Design:
    Michael Carlin,
  • Floor Runner:
    Charlotte Hayward,
  • Choreographer:
    Bruno Tonioli,
  • Second Unit Director of Photography:
    Steve Tickner,
  • Foley Editor:
    Pat Boxshall,
  • Property Buyer:
    Beverley Butcher,
  • Music Supervisor:
    Ivan Chandler,
  • Still Photographer:
    Nick Wall,
  • Steadicam Operator:
    Roger Tooley,
  • Assistant Accountant:
    Sandy Coroon,
  • Electrician:
    Ricky Loughlin, Colin Vinton, Steve Wallis, Karl McGilavrey, Steve Roberts,
  • Painter:
    Simon Hutchings, Dave Fitzjohn, Lance Smith,
  • Costume Design:
    Helen McCabe,
  • Idea:
    Joanne Reay,
  • Production Runner:
    Shelly Pond,
  • Original Music Composer:
    Christopher Tyng,
  • Production Assistant:
    Lulu O'Hagan,
  • Costume Assistant:
    Joanne Scott,
  • Carpenter:
    Roger Kiff, Emanuel Baumard, Jim Frankham, Pete Lennox,
  • Casting:
    Ros Hubbard, John Hubbard,
  • Rigging Gaffer:
    Pat Kileen, Roy Elston,
  • Sign Painter:
    Tony Staitham,
  • Location Assistant:
    Jon Beacham,
  • Sound Mixer:
    Ian Voigt,
  • Makeup Designer:
    Anne Oldham,
  • Art Direction:
    Karen Wakefield,
  • Casting Assistant:
    Daniel Hubbard,
  • Production Accountant:
    Jill Bennett,
  • Assistant Art Director:
    Steve Carter,
  • Runner Art Department:
    Gavin Fitch,
  • Color Grading:
    Paul Ensby,
  • Dialogue Editor:
    Mike Wood,
  • Grip:
    Alan Rank,

Technical specifications

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