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Bridget Jones's Diary
Synopsis
At the start of the new year, 32-year-old Bridget decides it's time to take control of her life-and start keeping a diary. Now, the most provocative, erotic and hysterical book on her bedside table is the one she's writing. With a taste for adventure, and an opinion on every subject-from exercise to men to food to sex and everything in between-she's turning the page on a whole new life.
Full Credits
  • Director:
    Sharon Maguire,
  • Writer:
    Helen Fielding, Andrew Davies, Richard Curtis,
  • Producer:
    Tim Bevan, Eric Fellner, Jonathan Cavendish,
  • Cinematographer:
    Stuart Dryburgh,
  • Editor:
    Martin Walsh,
  • Executive Producer:
    Helen Fielding,
  • Cast:
    Colin Firth, Gemma Jones, Jim Broadbent, James Callis, Hugh Grant, Renée Zellweger,
  • Assistant Editor:
    Simon Harris,
  • First Assistant Director:
    Stuart Renfrew,
  • Second Assistant Director:
    Finn McGrath,
  • Third Assistant Director:
    Fiona Gosden, Ed Raymond,
  • Co-Producer:
    Debra Hayward, Liza Chasin,
  • Line Producer:
    Peter McAleese,
  • Supervising Sound Editor:
    Glenn Freemantle,
  • Camera Operator:
    Darren De'Ath,
  • Script Supervisor:
    Pat Rambaut,
  • Visual Effects Editor:
    John Seymour,
  • ADR Mixer:
    Peter Gleaves,
  • Boom Operator:
    Tony Bell,
  • Construction Coordinator:
    Alan Chesters,
  • Location Manager:
    Benjamin Greenacre,
  • Production Coordinator:
    Hermione Ninnim,
  • Property Master:
    Bruce Bigg,
  • Grip:
    Malcolm Beale,
  • Supervising Carpenter:
    David Ned Kelly,
  • Compositing Artist:
    Adrian Banton,
  • Production Runner:
    Linda Benson,
  • Still Photographer:
    Alex Bailey,
  • Set Decoration Buyer:
    Fergus Clegg,
  • Helicopter Camera:
    Marc Wolff,
  • Production Manager:
    Em. L. Muslin,
  • Additional Photography:
    Buddy Blackwell,
  • Music Supervisor:
    Nick Angel, Nick Angel,
  • Executive In Charge Of Production:
    Michelle Wright,
  • Production Executive:
    Sarah Jane Wright,
  • Health and Safety:
    Paul Jackson, Paul Jackson,
  • Drone Pilot:
    Philip George,
  • Supervising Art Director:
    David Warren,
  • Unit Publicist:
    Stacy Mann,
  • Painter:
    Michael Gunner,
  • Costumer:
    Carlo Manzi,
  • Music Editor:
    Michael Higham,
  • Technical Supervisor:
    Martin Preston, Martin Preston,
  • Post Production Supervisor:
    Jeanette Haley,
  • Production Design:
    Gemma Jackson,
  • Foley Mixer:
    Kevin Tayler,
  • Set Decoration:
    Shirley Lixenberg,
  • Assistant Script:
    Jeanette McGrath,
  • Casting:
    Michelle Guish,
  • Costume Assistant:
    Fiona Coutts,
  • Screenplay:
    Richard Curtis, Andrew Davies, Helen Fielding, Andrew Davies,
  • Production Supervisor:
    Brian Donovan,
  • Focus Puller:
    Tristam Cones, Tristam Cones,
  • Foley Artist:
    Ricky Butt,
  • Songs:
    Andy Richards,
  • Electrician:
    Chris Gilbertson,
  • Assistant Camera:
    Charlie Woodburn,
  • Aerial Camera:
    Adam Dale,
  • Hair Designer:
    Graham Johnston,
  • Casting Assistant:
    Gaby Kester,
  • Script Editor:
    Emma Freud,
  • Assistant Sound Editor:
    Tom Sayers,
  • Graphic Designer:
    Carol Kupisz,
  • Special Effects Assistant:
    Jude Harris, Jude Harris,
  • Musician:
    Tonia Davall,
  • Costume Design:
    Rachael Fleming,
  • Storyboard Artist:
    Jane Clark, Jane Clark,
  • Makeup Artist:
    Carmel Jackson, Lorna McGowan,
  • Wardrobe Assistant:
    Martin Chitty,
  • Stunts Coordinator:
    Peter Brayham,
  • Generator Operator:
    Micky May,
  • First Assistant Editor:
    Alastair Grimshaw,
  • ADR Editor:
    Gillian Dodders,
  • ADR Voice Casting:
    Louis Elman,
  • Production Accountant:
    Wendy Ellerker,
  • Dolby Consultant:
    Michael Denner,
  • Key Grip:
    Nick Ray,
  • Camera Loader:
    Bob Cooke, Charlie England,
  • Art Direction:
    Paul Cross, Paul Cross,
  • Second Unit Director:
    Cilla Ware,
  • Location Assistant:
    Nick Oliver,
  • Special Effects Technician:
    Graham Hills,
  • Art Department Assistant:
    Andrea Couch,
  • Sound Recordist:
    David John,
  • Gaffer:
    Gary Colkett,
  • Digital Effects Supervisor:
    Colin Laski,
  • Special Effects Supervisor:
    David Harris, David Harris,
  • Steadicam Operator:
    Peter Robertson, Peter Robertson,
  • Novel:
    Helen Fielding,
  • Orchestrator:
    Lawrence Ashmore,
  • Assistant Costume Designer:
    Stephen Noble,
  • Data Wrangler:
    Darrel Griffin,
  • Visual Effects Editor:
    John Seymour,
  • Title Designer:
    Janice Mordue,
  • Visual Effects Coordinator:
    Hal Couzens,
  • Casting Director:
    Chloe Emmerson,
  • Continuity:
    Laura Gwynne,
  • Driver:
    Paul Brosnan,
  • Color Timer:
    Peter Hunt,
  • Visual Effects Producer:
    Matthew Holben,
  • Stand In:
    Amy Coop, Amy Coop,
  • Foley Editor:
    Peter Holt, Peter Holt,
  • Additional Wardrobe Assistant:
    Sheridan Jones,
  • Stunt Double:
    Dani Biernat,
  • Makeup Designer:
    Vanessa White,
  • Assistant Accountant:
    Fry Martin,
  • Sound Assistant:
    Steven Wyles,
  • Sound Re-Recording Mixer:
    John Hayward,
  • Camera Trainee:
    Kim Vinegrad,
  • Original Music Composer:
    Patrick Doyle,
  • Unit Manager:
    Claire Tovey,
  • Video Assist Operator:
    Mike Clark-Hall,
  • Music Producer:
    Glen Ballard,
  • Standby Painter:
    Robert Betts,
  • Floor Runner:
    Vicki Allen,
  • Visual Effects Supervisor:
    Frazer Churchill,
  • Production Secretary:
    Ingrid Mende,
  • Assistant Art Director:
    Paul Inglis,
  • Choreographer:
    Alison Mahoney,
  • Dressing Prop:
    Peter Hasler,
  • Sound Mixer:
    David Crozier,
  • Set Dressing Production Assistant:
    Josephine Warne,
  • Carpenter:
    Ray Bell-Chambers,
  • Wardrobe Supervisor:
    Natalie Ward,

Technical specifications

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