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Boogie Nights
Synopsis
While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes adult films, exotic motion pictures. In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced there's something wonderful inside those jeans waiting to get out. Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a special something to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside Dirk in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a filmmaker to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun.~ Mark Deming, All Movie Guide
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Full Credits
  • Director:
    Paul Thomas Anderson,
  • Writer:
    Paul Thomas Anderson,
  • Producer:
    Daniel Lupi, Lloyd Levin, John S. Lyons, JoAnne Sellar, Paul Thomas Anderson,
  • Cinematographer:
  • Editor:
    Dylan Tichenor,
  • Executive Producer:
    Lawrence Gordon,
  • Cast:
    Heather Graham, Don Cheadle, Burt Reynolds, Julianne Moore, John C. Reilly, Mark Wahlberg,
  • Assistant Editor:
    Fred Raskin,
  • First Assistant Director:
    John Wildermuth,
  • Second Assistant Director:
    Adam Druxman,
  • Second Second Assistant Director:
    Maria Battle Campbell,
  • Co-Producer:
    Daniel Lupi,
  • Co-Executive Producer:
    Lynn Harris, Michael De Luca,
  • Supervising Sound Editor:
    Dane A. Davis,
  • Camera Operator:
    Andy Shuttleworth,
  • Script Supervisor:
    Jayne-Ann Tenggren,
  • ADR Mixer:
    Dean St. John,
  • Art Department Coordinator:
    Andrea Carter,
  • Boom Operator:
    David Halbert, Peter Halbert,
  • Construction Coordinator:
    Bill Holmquist,
  • Construction Foreman:
    David Peck, Mark Balda,
  • First Assistant Camera:
    Michael G. Riba,
  • Location Manager:
    Boyd Wilson,
  • Production Coordinator:
    Brigitte Mueller, Eileen Malyszko Lee,
  • Property Master:
    Kevin Hughes,
  • Sound Effects Editor:
    Kini Kay, John Kwiatkowski, Mark Yardas,
  • Special Effects:
    David Blair, Ronald L. Myers, Adam Campbell, Josh Hakian, Lou Carlucci, John C. Carlucci, Mick Strawn,
  • Gaffer:
    Jeff Zucker,
  • Makeup Artist:
    Brian McManus, Eva Marie Denst, Lynn Rodgers,
  • Dialogue Editor:
    Charles W. Ritter, Lou Kleinman,
  • Production Executive:
    Leon Dudevoir,
  • Production Design:
    Bob Ziembicki,
  • Production Supervisor:
    Craig Markey,
  • Best Boy Grip:
    Scott Patten,
  • Costumer:
    Linda S. Cormany, Janet Ingram,
  • ADR Voice Casting:
    Barbara Harris,
  • Assistant Costume Designer:
    Kimberly Adams,
  • Camera Loader:
    Sean Hunter Moe,
  • Assistant Property Master:
    Suzanne Lapick, Stephen Flynn,
  • Foley Recordist:
    Jeremy Molod, Dana Porter,
  • On Set Dresser:
    Martin Milligan,
  • Sound Re-Recording Mixer:
    David Parker, Samuel Lehmer,
  • First Assistant Accountant:
    Minnie Duerr,
  • Stunts:
    Brian Avery, Jeff Ramsey, Gregg Dandridge, Jeffrey Lee Gibson, Michael Owen, Bob McGovern, Shawn Crowder, Hugh Aodh O'Brien, Mary Nitschke, Ted Shred, Max Daniels, Mike Smith, Allan Graf, Edward Conna, Mark De Alessandro,
  • Choreographer:
    Adam Shankman,
  • Assistant Art Director:
    Gayle Simon,
  • Sound Engineer:
    Bradford Bell, Frank Long,
  • Foley Artist:
    Richard Partlow, Marnie Moore, Laura Macias, Sharon Michaels,
  • Assistant Unit Manager:
    Jon Krueger, Eric Berger, Michael Tappan,
  • Grip:
    Jamie Franta, William J. McDevitt, Shawn Ensign, Nick Arnds,
  • Set Production Assistant:
    Michael Lee Phillips Jr., Rob Montalbano, Jeff Trachtman,
  • Electrician:
    George Lozano Jr., Willie J. Gray, Ngoli Vukani Nyirenda, Benny Buck, Keith Davis, Joe Colangelo,
  • Color Timer:
    Jim Passon, Phil Hetos,
  • Special Effects Makeup Artist:
    Robert Kurtzman, Gregory Nicotero, Howard Berger,
  • Costume Design:
    Mark Bridges,
  • Tailor:
    Pablo Nantas,
  • Location Scout:
    Jim Small, Joel Sinderman, James Lennox, Chanel Salzer, Dwayne Mack Alezandre,
  • Payroll Accountant:
    Penny Gillman, Mark Summers,
  • Assistant Makeup Artist:
    Suzanne Diaz,
  • Second Assistant Camera:
    John Stradling,
  • Post Production Assistant:
    Marie Gaerlan,
  • Production Secretary:
    Karri O'Reilly,
  • Utility Sound:
    Eric 'Sprocket' Uporsky,
  • Assistant Sound Editor:
    Barbara Delpuech, David McRell,
  • Casting Associate:
    Cassandra Kulukundis,
  • First Assistant Editor:
    Joan Sobel,
  • Music Coordinator:
    Carol Dunn,
  • Swing:
    Kenneth Carriveau, Victor Bazaz, Gregg M. Hartman,
  • Assistant Location Manager:
    Larry Ring,
  • Post Production Supervisor:
    Mark Graziano,
  • ADR Recordist:
    Joseph Bosco,
  • Foley Supervisor:
    Valerie Davidson,
  • Makeup Effects:
    Karrie Aubuchon,
  • Accounting Clerk Assistant:
    Nicole Sarrocco,
  • Propmaker:
    Greg Lay, Gregory A. Newton, Michael Blair, Mark Borg, Jack Orlando, Mark B. Palma, Joel Jaspan, Richard McConnell, Colin Alexander,
  • Executive In Charge Of Production:
    Carla Fry,
  • Music Editor:
    Ron Finn,
  • Associate Editor:
    Bethany Orlemann, Danny Miller,
  • Music Supervisor:
    Karyn Rachtman, Bobby Lavelle,
  • Art Direction:
    Ted Berner,
  • Original Music Composer:
    Michael Penn,
  • Stunt Coordinator:
    Cliff Cudney,
  • Best Boy Electric:
    Stephen Brock,
  • ADR Supervisor:
    Jim Borgardt,
  • Hair Assistant:
    Jon von Lingner,
  • Additional Hairstylist:
    Evelyn Rozenfeld,
  • Producer's Assistant:
    Nina Grossman, David Nickoll,
  • Production Controller:
    Paul Prokop,
  • Special Effects Manager:
    Dianne Carlucci,
  • Key Grip:
    Joseph Dianda,
  • Rigging Gaffer:
    Jeff Orsa,
  • Steadicam Operator:
    Andy Shuttleworth,
  • Special Effects Supervisor:
    Lou Carlucci,
  • Special Effects Coordinator:
    Kamar Bitar,
  • Sound Designer:
    Richard Chaim,
  • Leadman:
    Chris Carriveau,
  • Painter:
    Philip Cheyenne Ali, Greg Musselman, Hilmar Ragnarsson,
  • Makeup Supervisor:
    Tina Roesler Kerwin,
  • Seamstress:
    Olga Ishkhanova,
  • Set Decoration Buyer:
    Kristen Gassner,
  • Set Decoration:
    Sandy Struth,
  • Casting:
    Christine Sheaks,
  • Executive In Charge Of Post Production:
    Joe Fineman,
  • Key Costumer:
    Cookie Lopez,
  • Foley Mixer:
    Ron Bedrosian, Stephen Hart,
  • Scoring Mixer:
    Casey Stone,
  • Costume Supervisor:
    David Davenport,
  • Sound Mixer:
    Stephen Halbert,
  • Production Accountant:
    Julie Hansen,
  • Dolly Grip:
    Kenny Davis,
  • Unit Manager:
    Daniel P. Collins,
  • Hair Supervisor:
    Theo Mayes,
  • Extras Casting:
    Rich King,
  • Foley Editor:
    Tom Hammond,
  • Catering:
    Michael Schultz,
  • Unit Production Manager:
    Daniel Lupi,

Technical specifications

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