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Black Mass
Synopsis
In 1970s South Boston, FBI Agent John Connolly persuades Irish mobster James "Whitey" Bulger to collaborate with the FBI and eliminate a common enemy: the Italian mob. The drama tells the story of this unholy alliance, which spiraled out of control, allowing Whitey to evade law enforcement, consolidate power, and become one of the most ruthless and powerful gangsters in Boston history.
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Full Credits
  • Director:
    Scott Cooper, Scott Cooper,
  • Writer:
    Jez Butterworth, Dick Lehr, Gerard O'Neill, Mark Mallouk,
  • Producer:
    Scott Cooper, Patrick McCormick, Tyler Thompson, Brian Oliver, Scott Cooper, John Lesher,
  • Cinematographer:
  • Editor:
    David Rosenbloom,
  • Executive Producer:
    Christopher Woodrow, Peter Mallouk, Brett Ratner, Shaun Compton Ross, Brett Granstaff, Phil Hunt, Lauren Selig, James Packer, Steven Mnuchin, Ray Mallouk, Gary Granstaff,
  • Cast:
    Dakota Johnson, Kevin Bacon, Joel Edgerton, Jesse Plemons, Benedict Cumberbatch, Johnny Depp, Julianne Nicholson,
  • Associate Producer:
    Richard Mirisch,
  • Assistant Editor:
    Joe Rosenbloom,
  • First Assistant Director:
    Michele Ziegler,
  • Second Assistant Director:
    Xanthus Valan,
  • Second Second Assistant Director:
    Timothy Blockburger,
  • Co-Executive Producer:
    Adam Kassan, Michael Bassick, Chuck Rock,
  • Supervising Sound Editor:
    Byron Wilson, Mark A. Mangini,
  • Camera Operator:
    Henry Tirl, Masanobu Takayanagi,
  • Script Supervisor:
    Tracy Scott,
  • Visual Effects Editor:
    John Polyson,
  • ADR Mixer:
    Chris Navarro, Thomas J. O'Connell,
  • Art Department Coordinator:
    Jason Mayoh,
  • Boom Operator:
    Joel Reidy,
  • Construction Coordinator:
    Joseph Kearney,
  • First Assistant Camera:
    Greg Wimer, Donald Burghardt, James W. Apted,
  • Location Manager:
    Benjamin C. Dewey, Charles Harrington,
  • Property Master:
    David Gulick,
  • Set Dresser:
    Joe Gagnepain,
  • Sound Editor:
    Ezra Dweck,
  • Sound Effects Editor:
    Piero Mura,
  • Mixing Engineer:
    Tony Pilkington,
  • Senior Colorist:
    Tom Poole,
  • Visual Effects:
    Chris LeDoux, Mark Stern, Jason Sanford, Tim LeDoux, Mark Stern, Erik Werlin,
  • Second Assistant Camera:
    Timothy M. Sweeney, Zack Shultz, Dean Egan,
  • First Assistant Editor:
    Jonny Winograd,
  • Special Effects Coordinator:
    Judson Bell,
  • Art Department Assistant:
    Riley Fearon,
  • Stunt Coordinator:
    Chuck Jeffreys,
  • Prop Maker:
    Wilson Gallego, Zachary Zablocki,
  • Dolly Grip:
    Tony Campenni, Thomas Doran,
  • Screenplay:
    Jez Butterworth, Mark Mallouk,
  • Leadman:
    Robert Schleinig,
  • CG Supervisor:
    Don Libby,
  • Set Decoration:
    Tracey A. Doyle,
  • Costume Supervisor:
    Virginia B. Johnson,
  • Supervising Music Editor:
    Katrina Schiller,
  • Best Boy Grip:
    Robert Knowles, Robert Knowles,
  • Production Accountant:
    Tish Johnson,
  • Digital Intermediate Producer:
    Erik Rogers, Philippe Majdalani,
  • Unit Publicist:
    Spooky Stevens,
  • Hairstylist:
    Joanna Raskin, Rita Troy,
  • Hair Department Head:
    Gloria Pasqua Casny,
  • Key Hair Stylist:
    Lucia Mace,
  • Music Editor:
    Jim Schultz,
  • Makeup Department Head:
    Joel Harlow,
  • Aerial Director of Photography:
    David B. Nowell,
  • 24 Frame Playback:
    Joseph E. Doyle,
  • Unit Production Manager:
    Patrick McCormick,
  • Casting Associate:
    Melissa Kostenbauder, Matt Bouldry,
  • Assistant Property Master:
    Noah Dubreuil, Steve Brennan,
  • Book:
    Dick Lehr, Gerard O'Neill,
  • Foley Artist:
    Goro Koyama, Andy Malcolm,
  • Casting:
    Francine Maisler,
  • Still Photographer:
    Claire Folger,
  • Digital Intermediate:
    Ewelina Nietupska,
  • Visual Effects Producer:
    Allison Paul,
  • Rigging Gaffer:
    Scott D. Davis,
  • Compositor:
    Julia Correnti, Leighana Ginther, Kevin Samar,
  • Assistant Chief Lighting Technician:
    Michael Peterson, Michael Peterson,
  • Key Rigging Grip:
    Woody Bell,
  • Set Designer:
    Bryan Felty, Christina Todesco,
  • Costumer:
    Beau Desmond, Dana Pacheco, Elizabeth Clifford, Taryn Walsh, Cesha Ventre, Maili Lafayette, Clinton E. O'Dell,
  • Key Makeup Artist:
    Ken Niederbaumer, Ben Bornstein,
  • Chief Lighting Technician:
    Morris Flam,
  • Second Assistant Accountant:
    Ani Vanoyan,
  • Production Design:
    Stefania Cella,
  • Sound Re-Recording Mixer:
    Ron Bartlett, Chris Jenkins, Chris Jenkins, Mark A. Mangini,
  • Dialect Coach:
    Carla Meyer, Howard Samuelsohn,
  • Title Designer:
    Kyle Cooper, Ana Criado-Zahonero,
  • Production Secretary:
    Rebecca DiFillippo,
  • Assistant Art Director:
    Sarah Contant,
  • Art Direction:
    Jeremy Woodward,
  • Prosthetic Supervisor:
    Steve Buscaino,
  • Music Programmer:
    Dieter Hartmann,
  • Matte Painter:
    David Bleich, David Bleich,
  • Foley Mixer:
    Don White, Jack Heeren,
  • Visual Effects Supervisor:
    Paul Linden,
  • Picture Car Coordinator:
    Bobby Anderson,
  • Lighting Technician:
    Brendan Tierney,
  • Assistant Costume Designer:
    Brittany Loar,
  • Makeup Artist:
    Nikki Pleau,
  • Stunts:
    Jill Brown, Hannah Scott, Don Hewitt Sr.,
  • Production Supervisor:
    Steven Wayne,
  • Key Grip:
    Frank Montesanto,
  • Visual Effects Coordinator:
    Laura Brocato, Romulo Adriano Jr.,
  • First Assistant Sound Editor:
    Mark Coffey,
  • Rigging Grip:
    Derek Contrado,
  • Wigmaker:
    Khanh Trance,
  • Armorer:
    Robert 'Rock' Galotti,
  • CG Artist:
    Alex Falcon,
  • Sound Mixer:
    Tom Williams, Tom Williams,
  • Digital Conform Editor:
    Matthew W. Johnson,
  • Carpenter:
    Jason Coffey,
  • Original Music Composer:
    Junkie XL,
  • Gaffer:
    Morris Flam,
  • Travel Coordinator:
    Maria Palazon,
  • Digital Compositor:
    Alex Hatfield,
  • Additional Editing:
    Claire Simpson,
  • Steadicam Operator:
    Henry Tirl,
  • Sound Designer:
    Ann Scibelli,
  • Visual Effects Editor:
    John Polyson,
  • Costume Design:
    Kasia Walicka-Maimone,

Technical specifications

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