A.I. Artificial Intelligence thumbnail
A.I. Artificial Intelligence
Synopsis
Sometime in the distant future, after the polar icecaps have melted, major flooding has devastated most major cities and the world is now run by robots with highly sophisticated artificial intelligence. In the midst of it all stands one boy and a robotic teddy bear who long for something more...
Full Credits
  • Director:
    Steven Spielberg,
  • Writer:
    Steven Spielberg,
  • Producer:
    Kathleen Kennedy, Bonnie Curtis, Steven Spielberg,
  • Cinematographer:
    Janusz Kaminski,
  • Editor:
    Michael Kahn,
  • Executive Producer:
    Walter F. Parkes, Jan Harlan,
  • Cast:
    Jake Thomas, Frances O'Connor, Sam Robards, Jude Law, Haley Joel Osment, William Hurt,
  • Assistant Editor:
    Michael Trent,
  • First Assistant Director:
    Sergio Mimica-Gezzan,
  • Second Assistant Director:
    David H. Venghaus Jr.,
  • Second Second Assistant Director:
    Lisa Brookes,
  • Supervising Sound Editor:
    Gary Rydstrom, Richard Hymns,
  • Camera Operator:
    Mitch Dubin, Chris Haarhoff,
  • Script Supervisor:
    Ana Maria Quintana,
  • ADR Mixer:
    Dean Drabin,
  • Art Department Coordinator:
    Anya Rudnick, Latifa Ouaou,
  • Assistant Production Coordinator:
    John Burton West,
  • Boom Operator:
    Robert Jackson,
  • Construction Coordinator:
    John Villarino,
  • Construction Foreman:
    Mike Villarino,
  • First Assistant Camera:
    Mike Bienstock,
  • Location Manager:
    Gregory Alpert,
  • Production Coordinator:
    Lisbeth Wynn-Owen,
  • Property Master:
    Jerry Moss,
  • Set Dresser:
    Jack Blanchard,
  • Sound Effects Editor:
    Teresa Eckton, Christopher Scarabosio, Kyrsten Mate,
  • Visual Effects Coordinator:
    Julie Creighton,
  • Art Direction:
    William James Teegarden, Thomas Valentine, Richard L. Johnson,
  • First Assistant Editor:
    Richard Byard,
  • Key Grip:
    Jim Kwiatkowski,
  • Set Designer:
    Darrell L. Wight, Masako Masuda, Thomas Minton, Pamela Klamer, Steven Schwartz, Richard F. Mays, Dawn Brown, Patte Strong-Lord,
  • Electrician:
    John Atkins,
  • Makeup Effects:
    Adam Christopher,
  • Sound Mix Technician:
    Jurgen Scharpf,
  • Costume Supervisor:
    David Rawley,
  • Makeup Artist:
    Bill Corso,
  • Original Music Composer:
    John Williams,
  • Stunt Coordinator:
    Doug Coleman,
  • Steadicam Operator:
    Chris Haarhoff,
  • Choreographer:
    Francesca Jaynes,
  • Carpenter:
    Jeff Khachadoorian,
  • Stunt Double:
    J. Mark Donaldson,
  • Special Effects:
    Chris Cunningham,
  • Set Decoration:
    Nancy Haigh,
  • Publicist:
    David Linck,
  • Lighting Technician:
    Marek Bojsza,
  • Rigging Grip:
    Kevin Fahey,
  • Scoring Mixer:
    Shawn Murphy,
  • Assistant Art Director:
    Patrick M. Sullivan, Harry E. Otto, Ramsey Avery, Elizabeth Lapp, Andrew Menzies, Suzan Wexler,
  • Aerial Director of Photography:
    Adam Dale,
  • Post Production Coordinator:
    Sven E. Fahlgren,
  • Utility Stunts:
    Alisa Hensley, Caryn Mower, Dana Dru Evenson,
  • Driver:
    George Alden,
  • Tailor:
    Vicente Aguilar,
  • Concept Artist:
    Chris Baker,
  • Editorial Services:
    Brian Chumney,
  • Orchestrator:
    John Neufeld,
  • Costume Design:
    Bob Ringwood,
  • Dialect Coach:
    Francie Brown,
  • Video Assist Operator:
    Tomáš Loewy,
  • Stunts:
    Lisa Hoyle, Gene Hartline, Whitney Coleman, Diana R. Lupo, Richard L. Blackwell, Chris Palermo, Leigh Hennessy,
  • Craft Service:
    John 'Magic' Wright,
  • Production Accountant:
    Laurie Charchut,
  • Negative Cutter:
    Gary Burritt,
  • Screenplay:
    Steven Spielberg,
  • Music Editor:
    Kenneth Wannberg,
  • Animation:
    Shawn Kelly,
  • Key Hair Stylist:
    Candace Neal,
  • Dialogue Editor:
    Ewa Sztompke, Richard Quinn,
  • Screenstory:
    Ian Watson,
  • Foley Editor:
    Jonathan Null, Lindakay Brown,
  • Compositing Artist:
    Erik Winquist,
  • ADR Supervisor:
    Gwendolyn Yates Whittle, Larry Singer,
  • Layout:
    Jason Patnode,
  • Projection:
    René González,
  • Casting:
    Avy Kaufman,
  • Visual Effects Supervisor:
    Dennis Muren, Scott Farrar, Henry LaBounta,
  • Visual Effects Editor:
    Michael Gleason, Jennifer Leo Russ,
  • Production Supervisor:
    Peter M. Tobyansen, Lisa Curtis,
  • Still Photographer:
    David James,
  • Idea:
    Stanley Kubrick,
  • Storyboard Artist:
    Peter Ramsey,
  • Intern:
    Jorge Pallares,
  • Greensman:
    Jason Vanover, Alex Sessing, Johnny Torres, Vincent D'Aquino,
  • Second Assistant Camera:
    Christopher Duskin,
  • Assistant Property Master:
    Mark W. Brown,
  • Textile Artist:
    Niamh Murphy,
  • Propmaker:
    Brian Feola,
  • Digital Compositors:
    Ken Dackermann,
  • Animatronics Designer:
    Stan Winston,
  • Stand In:
    James Henderson,
  • Assistant Sound Editor:
    Susan McLean,
  • Foley Artist:
    Jana Vance, Dennie Thorpe,
  • Underwater Camera:
    Pete Romano,
  • Gaffer:
    Glenn Corbett,
  • Production Design:
    Rick Carter,
  • Assistant Location Manager:
    Tim Spurry,
  • Casting Assistant:
    Beth Bowling,
  • Short Story:
    Brian Aldiss,
  • Visual Effects Production Assistant:
    Evan Cecil,
  • Hairstylist:
    Karen Asano-Myers,
  • Transportation Coordinator:
    Denny Caira,
  • Storyboard:
    Philip Keller,
  • Sound Re-Recording Mixer:
    Andy Nelson,
  • Rigging Gaffer:
    David Gamerman,
  • Assistant Chief Lighting Technician:
    Stanley L. Gonsales,
  • Painter:
    Kirk D. Hansen,
  • Best Boy Grip:
    Daniel Coscia,
  • Unit Production Manager:
    Patricia Churchill,
  • Special Effects Supervisor:
    Michael Lantieri,
  • Hair Supervisor:
    Kathy Kane-Macgowan,
  • Special Effects Technician:
    Thomas Brown,
  • Set Production Assistant:
    Scott Rorie,
  • Key Makeup Artist:
    Ve Neill,
  • Grip:
    Bob Anderson,
  • Camera Loader:
    David O'Brien,
  • Sequence Supervisor:
    Tom Martinek,
  • Post Production Assistant:
    Mark Gillard,
  • Production Assistant:
    Chas Dupuis,
  • Sound Designer:
    Gary Rydstrom,
  • Visual Effects Producer:
    Ginger Theisen, Les Hunter,
  • Additional Second Assistant Camera:
    Larissa Supplitt,
  • Dolly Grip:
    Rick Kangrga,
  • Sculptor:
    James Jones, Fred Arbegast,
  • Best Boy Electric:
    Scot Gaal,
  • Chief Lighting Technician:
    David Devlin,
  • Production Illustrator:
    John Bell,
  • Assistant Accountant:
    Linden Johnson,
  • Costumer:
    Ricardo Richard Alvarez,
  • Key Costumer:
    Robert Chase,
  • Graphic Designer:
    Martin Charles,
  • Title Designer:
    Jimmy Zelinger,
  • Post Production Supervisor:
    Erica Frauman,
  • Digital Color Timer:
    Begonia Colomar,
  • Compositing Supervisor:
    Eric Bruneau,
  • Color Timer:
    Dale E. Grahn,
  • Musician:
    James Thatcher,
  • Standby Painter:
    Anthony 'AJ' Leonardi Jr.,
  • Additional Second Assistant Director:
    Paul Byrne Prenderville,
  • Assistant Dialogue Editor:
    Larry Schalit,
  • ADR Recordist:
    John Merton,
  • 3D Supervisor:
    Duncan Blackman,
  • Animation Supervisor:
    Hal T. Hickel,
  • Payroll Accountant:
    Cecilia Escobar,
  • Foley Recordist:
    Frank 'Pepe' Merel,
  • Foley Mixer:
    Tony Eckert,
  • Sound Mixer:
    Ron Judkins,
  • Extras Casting:
    Jennifer Alessi,
  • Effects Supervisor:
    Lindsay MacGowan,
  • Visual Effects Art Director:
    David Nakabayashi,

Technical specifications

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