50 First Dates thumbnail
50 First Dates
Synopsis

Arctic marine life veterinarian Henry Roth has his future all mapped out. When he's not tending to the sea animals at Sea Life Park in Hawaii, he is breaking the hearts of mainland tourists in search of a vacation romance. A long-term relationship for Henry is out of the question. It would scuttle his 10-year dream of sailing to Alaska to study the underwater life of walruses. Henry is close to making his dream come true when his schooner, the Sea Serpent, suffers a mishap during a trial run, which lands him at the Hukilau Café where the regulars eye him with distrust when he sets his eyes on one of its patrons, the beautiful young Lucy Whitmore. Henry is immediately smitten with Lucy, and after a first chat with her about waffles and sea mammals, Henry finds himself more and more interested in Lucy. Ignoring his own rule about dating local girls, he makes a date to meet her for breakfast the next day. But when he arrives and makes a reference to their previous conversation, she thinks he's some kind of freak and calls for help. Lucy has no idea who he is. And Henry realizes that if he wants to win her affections, he's going to have to start over again every day for the rest of his life.

In cinemas
Watch at home
Full Credits
  • Director:
    Peter Segal,
  • Writer:
    George Wing,
  • Producer:
    Jack Giarraputo, Larry Kennar, Nancy Juvonen, Steve Golin, Adam Sandler,
  • Cinematographer:
    Jack Green,
  • Editor:
    Jeff Gourson,
  • Executive Producer:
    Daniel Lupi, Jay Roach, Michael Ewing,
  • Cast:
    Adam Sandler, Rob Schneider, Drew Barrymore, Lusia Strus, Sean Astin,
  • Associate Producer:
    Kevin Grady,
  • First Assistant Director:
    Adam Druxman,
  • Second Assistant Director:
    Joseph J. Kontra,
  • Second Second Assistant Director:
    Timothy Grant Engle,
  • Co-Producer:
    Larry Kennar, Scott Bankston,
  • Supervising Sound Editor:
    Elmo Weber,
  • Camera Operator:
    Stephen S. Campanelli,
  • Script Supervisor:
    Nancy Karlin,
  • ADR Mixer:
    Howard Carle,
  • Art Department Coordinator:
    Dru Homer,
  • Assistant Production Coordinator:
    Demelza Cronin,
  • Boom Operator:
    Robert Jackson,
  • Colorist:
    Greg Curry,
  • Construction Coordinator:
    Karen Higgins,
  • First Assistant Camera:
    Bill Coe,
  • Location Manager:
    Rodney Brown Alamo,
  • Production Coordinator:
    Susan Ehrhart,
  • Production Sound Mixer:
    David Kelson,
  • Property Master:
    Timothy S. Wiles,
  • Set Dresser:
    Oscar Delgadillo,
  • Sound Effects Editor:
    Cameron Steenhagen, Orada Jusatayanond,
  • Lighting Technician:
    Mike Macias,
  • Aerial Director of Photography:
    Hans Bjerno,
  • Painter:
    David Carberry,
  • Assistant Art Director:
    Donald B. Woodruff,
  • Video Assist Operator:
    Alfred Ainsworth,
  • Telecine Colorist:
    Skip Kimball,
  • Stunt Double:
    Brycen Counts,
  • Set Medic:
    Dave Moorer,
  • Carpenter:
    Bruce Richter,
  • Set Decoration:
    Robert Greenfield,
  • Music Editor:
    J.J. George, Stuart Grusin,
  • Assistant Costume Designer:
    Clare Hallworth, Jeannie H. Kelly,
  • Craft Service:
    Sandy Reed,
  • Foley Mixer:
    Kyle Rochlin,
  • Key Grip:
    Charles Saldana,
  • Production Secretary:
    Kerri Smeltzer,
  • Standby Painter:
    Bill 'Kauhane' Hoyt,
  • Production Assistant:
    Scott Berrie,
  • Digital Compositor:
    Christian Boudman,
  • Stunt Driver:
    Adam Pinkstaff,
  • Assistant Sound Editor:
    Drake Jenevein,
  • Transportation Coordinator:
    Geno Hart,
  • Utility Sound:
    Daniel Brock,
  • Assistant Accountant:
    Steven Butensky,
  • Orchestrator:
    Pete Anthony,
  • Leadman:
    Mark Weissenfluh,
  • Payroll Accountant:
    Michael Roccuzzo,
  • Special Effects Technician:
    Roger Kelton,
  • Makeup Artist:
    Robin Fredriksz, Ann Pala,
  • Stunts:
    Gary Guercio, Michael T. Brady, Katie Wright Pere, Michael Adams, Paul Eliopoulos, Crystal Michelle,
  • Screenplay:
    George Wing,
  • Visual Effects Producer:
    Victoria Alonso,
  • Production Supervisor:
    Will Weiske,
  • Art Department Assistant:
    Nicole Nakamoto,
  • Key Makeup Artist:
    Carme Tenuta,
  • Visual Effects Compositor:
    Todd Mesher,
  • Additional Camera:
    David Gasperik,
  • Grip:
    Rick Crum,
  • Greensman:
    Bob Skemp,
  • Foley Editor:
    Marc Glassman,
  • Construction Grip:
    Ricky Johnson,
  • Casting Assistant:
    Kendra Carter,
  • Still Photographer:
    Darren Michaels,
  • Camera Loader:
    Shayna Ritenour,
  • Propmaker:
    Richard Robinson,
  • Assistant Director:
    Laura Weiss,
  • Rigging Grip:
    T. Daniel Scaringi,
  • Assistant Location Manager:
    Claudia Bestor,
  • Music Supervisor:
    Michael Dilbeck,
  • Second Unit:
    James D. Bissell,
  • Visual Effects Coordinator:
    Eddie Soria,
  • Musician:
    Mike Deasy,
  • Rotoscoping Artist:
    Lea Lambert,
  • Casting:
    Roger Mussenden,
  • Transportation Captain:
    Kirk Huston,
  • Costume Supervisor:
    Robert Q. Mathews,
  • Storyboard Artist:
    Alex Hillkurtz, P.K. MacCarthy,
  • Extras Casting:
    Brad Kenny,
  • Location Scout:
    Scott Trimble,
  • ADR Supervisor:
    David Bach,
  • Foley Artist:
    Vincent Guisetti,
  • Unit Publicist:
    Spooky Stevens,
  • Key Rigging Grip:
    T. Daniel Scaringi,
  • Set Painter:
    Chris Samp,
  • Dialogue Editor:
    Robert Jackson,
  • Electrician:
    Justin Duval,
  • Production Accountant:
    Megan Mathews,
  • Hairstylist:
    Lona Vigi,
  • Color Timer:
    Dan Muscarella,
  • Makeup Department Head:
    Rose Librizzi,
  • Dolly Grip:
    James D. Wickman,
  • Stunt Coordinator:
    Webster Whinery,
  • Costume Design:
    Ellen Lutter,
  • ADR Recordist:
    Howard London,
  • Software Engineer:
    John Charles,
  • Set Designer:
    Gregory S. Hooper,
  • Supervising Sound Effects Editor:
    Derek Vanderhorst,
  • Assistant Chief Lighting Technician:
    Michael K. O'Melia,
  • Title Designer:
    Thomas Cobb,
  • Costumer:
    Anthony Franco,
  • Conceptual Illustrator:
    John Puglisi,
  • Sound Recordist:
    Sean Landeros,
  • Casting Associate:
    Elizabeth Boykewich,
  • Assistant Camera:
    Matthew Berner,
  • Digital Effects Supervisor:
    Reid Paul,
  • Travel Coordinator:
    Georgina Marquis,
  • Hair Department Head:
    Nancy Tong,
  • Graphic Designer:
    Martin Charles,
  • Additional Second Assistant Director:
    Matthew D. Smith,
  • Driver:
    Bruce Comtois,
  • Production Design:
    Alan Au,
  • Key Hair Stylist:
    Pauletta O. Lewis,
  • Visual Effects Editor:
    Steve Rhee,
  • Original Music Composer:
    Teddy Castellucci,
  • Visual Effects Supervisor:
    Sheena Duggal,
  • Unit Production Manager:
    Daniel Lupi,
  • Digital Color Timer:
    Paul McGhee,
  • Second Assistant Accountant:
    Kenny Gallagher,
  • Art Direction:
    Domenic Silvestri,
  • ADR Editor:
    Russell Farmarco,
  • Negative Cutter:
    Mo Henry,
  • Set Costumer:
    Laurel Frushour,
  • Second Unit Director:
    Jim Bissell,
  • Extras Casting Assistant:
    Mele K.T. Locey,

Technical specifications

50 First Dates logo